“An offspring of the May ‘68 student revolt, Grapus design collective was founded in 1970 by Pierre Bernard, Gerard Paris-Clavel and Francois Miehe. They were joined in 1974-5 by Jean-Paul Bachollet and Alex Jordan; with Miehe’s departure in 1978, the main core was set.

All members of the French Communist Party (PCF), they concentrated their early efforts on the new society visions of the Left, producing cultural and political posters for experimental theatre groups, progressive town councils, the PCF itself, the CGT (Communist trade union), educational causes and social institutions. At the same time, they rejected the commercial advertising sphere....

For 20 years they provided inspiration to graphic design students all over the world, with their idealistic principles (of brining culture to politics, and politics to culture), and their highly distinctive form of image-making: an accessible and unpredictable mixture of child-like scrawl, bright colors, sensual forms and high-spirited visual pranks. Throughout their history, Grapus remained Communists and idealists and continued to operated collectively: all work left the studio signed ‘Grapus’ even when their studio numbers had grown to around 20, operating in three separate collectives. They finally disbanded in January 1991, splitting into three independent design groups.”

From Liz McQuiston, Graphic Agitation: Social and Political Graphics since the Sixties, Phaidon, p. 56.

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